Release Year: 1982 | Directed By: Ridley Scott | Starring: Harrison Ford, Rutger Hauer, Sean Young, Edward Hames Elmos, Daryl Hannah
I don’t suppose that there’s much more to be said about Blade Runner by this point so this review is probably redundant (and certainly thirty-seven years too late) but what the hell. I fancied watching something the other night and chose this from the DVD collection that most certainly needs trimming as part of my ongoing battle against materialism. I watched the ‘Final Cut’ version, if that’s important. It’s the only version I have ever seen so unfortunately, I’m not privy to any knowledge on the changes/additions that were made over the original theatrical release. This is turning out to be a useless review isn’t it? *ahem*
Anyway, Blade Runner is set in the ‘future’ of 2019. Looking out of my window as I type this, I can’t see the flying police cars, towering buildings or giant neon advertising signs but then again, I don’t live in LA where Blade Runner is set so who knows. This future is loaded with technology and wondrous advancement but at the same time, the film depicts nothing but urban decay and slum-like living with the populance crammed into tight streets. Further, The Tyrell Corporation has developed bioengineered human-like beings known as Replicants to do the dirty/dangerous work of humans. The Replicants are a perfect mimicry of man and are even capable of developing human emotions over time. Explained in the movie’s intro, there is a rebellion amongst Replicants working on an off-world colony and they are thus made illegal back on Earth but a small group manage to steal a shuttle and successfully make it to Earth.
Harrison Ford plays Deckard, a special type of police officer known as a Blade Runner, whose role is to hunt down Replicants hiding in society and “retire” them.
As the plot progresses, Blade Runner explores several philosophical themes with the most obvious being the morality of playing God and creating life. There is also the question of whether it is right to create beings that are more or less human with their own personalities but then treat them as disposable appliances or slaves and kill (or “retire”) them without a second thought. It’s 2019 now and artificial intelligence/man-made “people” hasn’t quite happened yet as in the world of Blade Runner BUT we are getting there at a rapid rate and so I suppose these themes have turned out to be the most relevant since this movie released in ’82. In other words, the content of movies like Blade Runner and The Terminator aren’t necessarily just sci-fi entertainment anymore but real possibilities that throw up questions and potential concerns for the near future.
Looking at Wikipedia, there are (apparently) other themes running through Blade Runner including religion, Deckard’s morality, paranoia and even literary influences. I didn’t really pick up on most of these myself and I don’t mind because for me, Blade Runner is all about the visuals and world design.
I mentioned the “urban decay” look before but Blade Runner really does paint a miserable, grim future. It’s always dark and pouring with heavy rain, tight streets are choked with people pushing past one another and seediness is around every corner. There is a police presence everywhere and corporations rule supreme with enormous advertising boards and airships with giant video screens beaming more advertising down from above. There is definitely a dystopian feeling to Blade Runner but I really like it and drank in the exhaustive detail of the sets. The Asian influence with the neon advertising boards and abundance of oriental-looking civilians wearing wide-brimmed conical straw hats doesn’t really make much sense to me but it kind of fits the futuristic vision somehow.
Blade Runner is one of the original influences of all things cyber-punk and many, many forms of entertainment – books, videogames, movies – have mimicked the dark, wet and neon look. This is where it all began however and the impressive thing is how believable the sets and special effects still look considering the age of the film. The take-off and landing of the flying “spinner” police cars for example look far better than you might expect them to for a 1982 film.
There are lots of things to like about Blade Runner but for me, the movie is all about the look and the vision of a technological future. It’s why I enjoyed it the first time round and why I still enjoy it now. The only negative in my opinion is the somewhat abrupt and open-ended conclusion that leaves the viewer to decide what happens next. I know that many appreciate these sorts of “thinking man’s” endings but I personally don’t. Other than that, Blade Runner is a sci-fi classic that deserves its status. I’m definitely interested in watching the recent sequel now too.
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