The Big Goosebumps Re-read #7: Night of the Living Dummy (R.L. Stine, 1993)

night-1In a previous post entitled “My Reading Journey“, I mentioned my complete set of the original Goosebumps books by R.L. Stine. Well, when taking them all out for a quick photograph for that post, I decided it might be fun to re-visit them all with adult eyes. There’s only 62 to get through…

Night of the Living Dummy is one of the more iconic and memorable books in the Goosebumps series. The idea of a creepy ventriloquist’s dummy gaining sentience is something you can do a lot with and I’m sure many kids who come into contact with a vacant-eyed dummy in real life would be unnerved. There would be two more Night of the Living Dummy entries in the original Goosebumps run, two more in the Series 2000 follow-up and a TV appearance in the live-action show so the popularity of Slappy is evident. The original book is a bit different however and Slappy himself isn’t even the main player…

The Blurb

Lindy can’t get over finding a ventriloquist’s dummy in her neighbourhood skip. Cool! Lindy names him Slappy. She’s going to learn how to make Slappy move and talk. Her twin sister, Kris, will be so jealous.

Then Kris gets a dummy of her own, and that’s when all the trouble starts. Weird things start to happen, nasty things. It seems as if Kris’s dummy is making them happen.

But a dummy can’t be causing all that trouble…can it?

Ultra-competitive twin sisters, Lindy and Kris, are always at each other’s throats, determined to one-up each other and constantly fighting. So when they find a ventriloquist’s dummy in a building site skip and Lindy decides to keep him, Kris grows jealous of how quickly Lindy gets to grips with operating Slappy and how much attention she receives from others for her act…

She’s jealous, Lindy realised. Kris sees that the kids really like Slappy and I’m getting all the attention. And she’s totally jealous. I’m definitely keeping Slappy! Lindy told herself, secretly pleased at her little triumph.

When these girls are around, you need to put the knives away. It seems as if they absolutely resent and hate each other’s guts ninety percent of the time. I felt a little more sorry for Kris as it seemed that Lindy tended to have the upper hand when it came to putting her sister down with nasty comments or verbal snipes. These girls are only eleven and not being a girl, a child or a twin, I can’t relate to their particular brand of intense sibling rivalry but even so…

br-1
[Source]
Anyway, this warring between the Powell sisters leads to their father buying Kris a dummy of her own from a local pawn shop. Now the sisters can compete at being the funniest, most skilled ventriloquist too! Great! Kris names her dummy “Mr Wood” and sets to work trying to beat Lindy at her new hobby.

But the arrival of Mr Wood also brings strange happenings to the Powell household. Mr Wood moving by himself for instance. He even speaks for himself while Lindy is operating him for some of their friends. In true Goosebumps fashion however, we eventually find out that the gradual ramping up of Mr Wood’s unnerving actions are an elaborate, drawn-out prank by Lindy to scare Kris. She even goes as far as to make her twin sister cry before ‘fessing up.

“No!” Kris shrieked, feeling herself lose control. “It wasn’t a dream! I’m so scared, Lindy! I’m just so scared!”

Suddenly Kris was trembling all over, and hot tears were pouring down her cheeks.

Lindy stood up and moved to the edge of her sister’s bed.

“Something h-horrible is going on here, Lindy,” Kris stammered through her tears.

“And I know who’s doing it,” Lindy whispered, putting a comforting hand on her quivering shoulder.

“Who?” Kris repeated, letting the tears run down her cheeks. “Who?”

“I have,” Lindy said. Her smile spread into a grin almost as wide as Slappy’s. She closed her eyes and laughed.

What a cow!

So all’s well that ends well then? Not quite…

Kris is practicing with Mr Wood when she notices a scrap of old paper tucked into his pocket. The paper contains words written neatly in an unrecognisable language and you can’t help but think, “don’t do it” but Kris reads them aloud anyway and that’s when Mr Wood really becomes a ‘Living Dummy’. At first, Lindy is convinced that Kris is simply trying to play her at her own game and their parents don’t believe Kris when she insists that the insults Mr Wood bombards their elderly neighbours with are coming straight from the dummy’s mouth, not hers. Naturally, Kris has no chance here because a) it’s a fairly unbelievable claim and b) she’s in a Goosebumps book and parents don’t believe ANYTHING in a Goosebumps book.

Despite her growing certainty that Mr Wood is really alive this time, Kris goes ahead with an on-stage ventriloquist performance at her school for an audience of kids and parents. You can see disaster looming a mile off and sure enough, things go horribly wrong for Kris as Mr Wood lays into music teacher, Mrs Berman with insults, much to the horror of the audience. But Mr Wood is only just getting warmed up…

“Please apologise. To me and to the audience,” Mrs Berman demanded.

Mr Wood leaned into the microphone. “Apologise for THIS!” he screamed.

The dummy’s head tilted back. His jaw dropped. His mouth opened wide.

And a thick green liquid came spewing out.

“Yuck!” somebody screamed.

It looked like pea soup. It spurted out of Mr Wood’s open mouth like water rushing from a fire hose. Voices screamed and cried out their surprise as the thick, green liquid showered over people in the front rows.

“Stop it!”

“Help!”

“Somebody – turn it off!”

“It stinks!”

Kris froze in horror, staring as more and more of the disgusting substance poured from her dummy’s gaping mouth. A putrid stench – the smell of sour milk, of rotten eggs, of burning rubber, of decayed meat – rose up from the liquid. It puddled over the stage and showered over the front seats.

Binded by the spotlight, Kris couldn’t see the audience in front of her. But she could hear the choking and the gagging, the frantic cries for help.

This is such an enjoyable scene and it really reminds me of the pie-eating contest scene from the movie, Stand By Me.

Again, nobody believes Kris and she is suspended from school. But even Lindy is forced to believe her twin sister when she witnesses Kris grappling with a very animated Mr Wood on the stairs one night. They come up with the idea of sealing Mr Wood in a suitcase and burying him at the construction site next door. Naturally, they manage to sneak out of the house in the dead of night and do all of this without their parents noticing! But Mr Wood is back the next morning, covered in dirt and grinning.

Their parents go out shopping and Mr Wood springs back into life. The ensuing struggle moves to the building site next door where the sisters manage to finally destroy Mr Wood by getting a steamroller to run him over. Again, a couple of kids were able to just walk onto a construction site where deadly steamrollers are operating? Whatever.

The gigantic black wheel rolled right over him, pushing him onto his back, then crushing him with a loud crunch.

A loud hiss rose up from under the machine, like air escaping from a large balloon. The steamroller appeared to rock back and forth.

A strange green gas spurted up from beneath the wheel, into the air, spreading out in an eerie mushroom-shaped cloud.

What’s that? We’ve reached the end of Night of the Living Dummy and the famous Slappy hasn’t featured? Well, it isn’t ever over until it’s over…

As she leaned over the chair to grab the window frame, Slappy reached up and grabbed her arm.

“Hey, slave – has that other guy gone?” the dummy asked in a throaty growl. “I thought he’d never leave!”

It’s interesting that Slappy is one Goosebumps‘ most famous characters and yet he isn’t even the star of the original book, only speaking up for the first time right at the end where the books tend to conclude with one final twist that rarely results in a sequel.

If you couldn’t tell from the way I had a lot to say about Night of the Living Dummy, I really enjoyed re-visiting this book. The pacing was good and Lindy’s cruel prank on Kris was actually much better than having countless, cheap end-of-chapter false scares padding out the story. What’s more, the central idea of a sinister, grinning dummy coming to life was a good one, even if it IS a lite version of Chuckie. The final third of the book when Mr Wood is alive for real is brilliant fun, especially the concert scene quoted above. Honestly, this is probably the best book so far.

The Cover

Not the most dynamic is it? Also, it features Slappy and not Mr Wood which makes little sense to me.

The incredibly dated bit

Lindy told them about the TV show she might be on, and they promised they wouldn’t miss it. “We’ll tape it,” Mr Miller said.

The nostalgia rating

Pretty decent with this one. I didn’t remember most of the plot but I did remember that it wasn’t actually Slappy at the centre of the original book.

Up Next: The Girl Who Cried Monster

 

The Big Goosebumps Re-read #6: Let’s Get Invisible! (R.L. Stine, 1993)

invis-1In a previous post entitled “My Reading Journey“, I mentioned my complete set of the original Goosebumps books by R.L. Stine. Well, when taking them all out for a quick photograph for that post, I decided it might be fun to re-visit them all with adult eyes. There’s only 62 to get through…

I’ve dragged my heels on this review series recently but now it’s time to get back to it with the sixth entry in the OG Goosebumps series: Let’s Get Invisible! Strange mini factoid for ya though; the title of this book includes an exclamation mark on the cover but not on the spine or interior title page…weird. As you can clearly deduce, I am a damn interesting guy. Anyway, here’s the book’s blurb:

The Blurb

While exploring the attic on his birthday, Max comes across an old mirror there. No ordinary mirror either – this one is ‘magic’ – it can turn you invisible!

At first it’s fun playing now you see me, now you don’t. But soon Max and his friends realise something scary is happening. They’re not controlling the mirror. It’s controlling them!

This is yet another of those Goosebumps plots that I think would make for a great, grown-up horror film and for all I know, maybe it already HAS been done. It wouldn’t be the first time that Stine has riffed on an existing horror concept. As it is though, we have to join Max, his irritating brother Lefty, and his friends Zack, April and Erin. After Max’s birthday party (where a bunch of twelve year-olds watch The Terminator – superb parenting there), the group decide to explore the attic in the Max’s house. Like most people’s attics (we call them “lofts” here in the UK), it’s full of old crap but there’s also a door concealed behind a load of old boxes.

Naturally, the room behind the door holds a mysterious mirror that can turn you invisible. Because that’s what all creepy attics are like, right? The group quickly discover that standing before the glass and switching on the attached light turns whoever is standing beneath said light invisible. With invisibility being such a great power with so many possibilities, it’s good to see that the boys in the group immediately think of a noble application for them.

“I wonder if we could go downstairs and still be invisible,” I said. “I wonder if we could leave the house like this.”

“And go and spy on people?” Lefy suggested.

“Yeah,” I said. I yawned. I was starting to feel a little strange. “We could go and spy on girls and stuff.”

“Cool,” Lefty replied.

Unfortunately, the rest of the book is a bit of a slow-burner. The friends take it in turns to get their invisibility on and compete to see who can stay invisible the longest. Y’see, the longer one is invisible for, the longer it takes for them to reappear once the mirror’s light is switched off again. Despite the dangers and despite the fact that they are all knowingly messing with something that they have no clue about, the kids continue to play with the mirror, even when it becomes apparent that remaining invisible for a longer period of time causes them to feel all ‘light’ and as if they are drifting away.

Most of the book is Max deciding to never get invisible again then caving in from the pressure of his friends, especially the ultra-competitive Zack. It goes back and forth like this for a while with these kids not just throwing caution to the wind but firing it in with a high-powered cannon.

But I guess it’s easy to roll the eyes at their naivete as an adult. If I was twelve or in my early teens again, I’m pretty sure I’d be well up for being invisible so that I could scare the shit out of people or sneak into girls’ changing rooms.

But that’s no excuse for the fact that this book just doesn’t feel like it’s going anywhere quickly which isn’t necessarily a problem for fiction in general but it is when a Goosebumps book is quite thin and short work to get through. The finale is quite sinister with Zack and Erin being sucked into the mirror, their places in reality taken by their reflections. The reflections force Max into the mirror so that his other self can also escape but Max manages to resist and the mirror gets smashed, releasing the real Zack and Erin and sucking the reflections back in. It just feels as if this ending could have been so much more exciting but instead it’s crammed into the final few chapters. The origins of the mirror are never explained either.

Overall, it was a decent enough read but I just wish the book had spent less time on the false scares and more pages on the mirror’s dark abilities.

The Cover

Not one of my favourites to be honest. The hands coming out of the mirror behind Max are pretty cool but Max looks like a girl here and I can’t tell whether he’s terrified or having the time of his life.

The incredibly dated bit

We compromised. We played Twister . Then watched some of the Terminator video until it was time to eat.

You can’t GET much more 90’s than Twister and videotapes!

The nostalgia rating

I recalled the basic plot of Let’s Get Invisible! but I don’t really have any memories of the book so I would have to say that the ‘feels’ were pretty mild with this one. It was one of those Goosebumps books that I probably only read once whereas I read many of the others multiple times over.

Up Next: Night of the Living Dummy

Comic Book Talk: Ghost Rider #1-#27 (1990-)

GR-1The 90’s gets a bad rap when it comes to comic books. The 60’s and 70’s established many of the characters and ongoing books that readers are familiar with while the 80’s featured countless classic story arcs and famous runs on big name comics. Fast forward to the modern day and the likes of Marvel and DC are enjoying more exposure than ever and, as befits the age we live in, the comics themselves enjoy slick presentation and the individual titles are far more integrated into the main ‘universe'(s) with frequent crossovers and major ‘events’.

By contrast, the 90’s is often cited as the decade of forgettable storytelling, uninspiring ideas and a lack of anything “big”. Thing is though, while many of the mainline books suffered a period of stagnation in the 1990’s, it simply isn’t true to claim that the decade as a whole is worth forgetting about because there were some fantastic comics. Case in point, the 1990 Ghost Rider reboot which is one of my favourite runs of any comic to date.

The powers of the Ghost Rider are picked up by new lead character, Dan Ketch, and he struggles to cope with the Rider’s furious need for vengeance as well as his own personal life which begins to spin out of control once he begins moonlighting as GR. This is a different Ghost Rider to the original Johnny Blaze incarnation and so this run had the freedom to go its own way while posing numerous questions and mysteries regarding the Ghost Rider.

I’m only going to talk about the first 27 issues here in this post because from there on, the Sons of Midnight crossover project began and I haven’t read any further since I need to track down some more comics to fill in the gaps in my collection. Those 27 issues however are pure dynamite. This is a dark book that doesn’t shy away from violence, blood and innocent death. A core of recurring, brand-new villains are also established for Ghost Rider to contend with and while they don’t exactly have the most dynamic of personalities between them, the psychotic brutality of their actions and the joy they extract from killing, makes them fascinating adverseries for GR to face off against.

Blackout is a crazed, sharp-toothed killer that enjoys ripping people’s throats out, Deathwatch is an evil businessman that cracks necks and appears to draw energy from the death of his victims and Zodiac is a sick serial killer that continually manages to escape the vengeful wrath of Ghost Rider. This trio of villains are collectively behind a wave of violent murders and disappearances in the Forest Hills area of Queens, New York. Ghost Rider might be a powerhouse of a character with high immunity to damage but he struggles to permanently put these sickos down. Deathwatch for example hides behind the persona of a respectable businessman and pulls the strings from the shadows. Blackout on the other hand deduces GR’s identity and makes things personal, striking out at those close to Dan Ketch. He even attacks the hospital and tears the throat out of Ketch’s comatose sister! You end up really despising these villains and rooting for Ghost Rider as he takes on a sort-of anti-hero role, beating the shit out of bad guys and not being constrained by the morality codes that the likes of Spiderman and the Avengers abide by. As I said before, this is a dark book.

DSC_0439

During these 27 issues, Ghost Rider also encounters Dr. Strange, teams up with The Punisher to take on Flag Smasher and battles the Brood alongside the X-Men. Mephisto makes an appearance, Ghost Rider has his first battle with Scarecrow and Johnny Blaze himself even shows up but the motive for his return isn’t what you might expect.

The thing that really makes this run of Ghost Rider so special is the creative team behind it. After reading some truly woeful Spiderman arcs in the late 90’s from Howard Mackie, I didn’t ever expect to praise the same guy for his writing but here, it is superb. The human side of Dan Ketch and the effect that his actions as Ghost Rider have on the supporting cast is as integral to the ongoing plot as are the villains that refuse to give up and die and Mackie does a great job of striking a balance between them. Better yet is the artwork which is absolutely stunning in that raw, detailed style that only comics from the 80’s and early 90’s could deliver before presentation as a whole moved to another level and computer work sucked some of the soul and purity from the pages.

DSC_0437

Javier Saltares kicks things off before being replaced by regular artist, Mark Texeira (also known as simply ‘TEX’). Both men really bring the book to life with grim, brooding artwork but Texeira in particular is on another level. Ron Wagner steps in from time-to-time too and honestly, I rate him almost as highly as Texeira. There really is no weak link in the art department for these opening 27 issues.

Overall, I cannot recommend this volume of Ghost Rider enough. I don’t disagree that the 90’s served up some real duds in the comic book arena but in my experience, it is the B-Tier characters and books that give the decade some appeal. In particular, I love the dark characters and horror themes that Marvel saw fit to push out in the early 90’s; the 1990 reboot of Ghost Rider being a front-runner (or should that be ‘rider’?). It remains to be seen whether the rest of the run manages to uphold the same quality and thrilling reading but I have high hopes.

The Big Goosebumps Re-read #5: Monster Blood (R.L. Stine, 1992)

MB-1In a previous post entitled “My Reading Journey“, I mentioned my complete set of the original Goosebumps books by R.L. Stine. Well, when taking them all out for a quick photograph for that post, I decided it might be fun to re-visit them all with adult eyes. There’s only 62 to get through…

I have to begin this particular review with a little mystery. If you have read the previous entries in this series then you may be thinking that I’ve made a mistake in a title. After all, the previous book – The Curse of the Mummy’s Tomb – was dated 1993 so why are we going BACK to 1992 for the next book in the series? Well, the copyright page of The Curse of the Mummy’s Tomb stated “First Published in the US by Scholastic Inc., 1993”. Here, with Monster Blood, it states 1992. Though all of these books look uniform in terms of covers, I definitely have a mix of editions on my hands. After all, the prices for these books began at £2.99 in the UK before rising to £3.50 and then – finally – £3.99. What’s more, these prices are printed on the back of the books so it’s clear whether you have an original or newer printing in your hands. That said, the copyright pages don’t ever change and only show the date of the first UK publication. In addition to that, they could have printed these books and updated the copyright pages a billion times over and it still shouldn’t affect the original US publication date.

The only solution I can offer is that Monster Blood was published before The Curse of the Mummy’s Tomb in the US and the order of release was switched about for the UK. I haven’t looked into it though so feel free to enlighten me on the truth in the comments if you know! Anyway, that’s enough rambling about publication dates. Onto Monster Blood

The Blurb

Evan’s not too happy about staying with his weird Aunt Kathryn – she gives him the creeps!. But at least he’s found a friend, and they’ve discovered a great toyshop, selling really cool things – like Monster Blood.

But there’s something very strange about this Monster Blood – it seems to be growing…and growing…and growing…

And what’s more, it’s developed an appetite – a monstrous appetite!

We’ve arrived at one of the most iconic series’ in Goosebumps’ run and one of the longest-lasting. There are four Monster Blood installments in total with Monster Blood IV completing the original run of 62 books. This here though, is where it all begins. Evan’s parents are having trouble re-locating to a new home in Atlanta and so, while they are busy sorting out adult affairs, they leave Evan with his Aunt Kathryn. Thing is, Aunt Kathryn is pretty sinister, looks like a witch and is completely deaf. Evan is also in an unfamiliar neighbourhood where he knows nobody and so it doesn’t look like a fun summer is on the cards.

Fortunately, he chances upon a new friend – Andy (full name, Andrea – she’s a girl don’t you know?) – and finds some form of escape from Kathryn’s house at least. Andy suggests that they go into the nearby town where there is a toy shop.

Evan hesitated. He hadn’t told his Aunt he was going into town. But what the heck, he thought. She wouldn’t care.

Besides, What could possibly happen?

Oh nothing much…apart from finding a strange tin in the shop’s back room labelled “Monster Blood”, the contents of which will lead to supernatural horror. Just your standard trip to the local store, huh? While they are in the shop, there is another really dated 90’s moment which I should save for the “Incredibly Dated Segment” at the end of this review but I’ve used the Nintendo card several times in a row now so I’ll just include it here.

“Do they have Nintendo games?” Evan asked her, whispering, afraid to break the still silence.

“I don’t think so,” Andy whispered back. “I’ll ask.” She shouted up to the front, “Do you have Nintendo games?”

It took a while for the man to answer. He scratched his ear. “Don’t stock them,” he grunted finally, sounding annoyed by the interruption.

I’m starting to wonder if Stine was sponsored by Nintendo. Of course, the truth is that Nintendo as a brand was just THAT big in society back in the 80’s and early 90’s so I shouldn’t be surprised that it finds it’s way into children’s fiction.

Anyway, Evan purchases the tin of Monster Blood from the shop (much to owner’s annoyance since Evan simply waltzes into an off-limits back room and picks it up from a shelf of crap) and then he and Andy mess about with the slimy contents, unaware of what the (very) near future holds. The Monster Blood begins to grow, becoming too much for the original container to hold. Evan and Andy have to keep finding new ways to store the green goop and, as is Goosebumps tradition, none of the adults have even the slightest clue what is happening. Evan’s dog – Trigger – even gets away with growing in size after ingesting some Monster Blood and nobody else seems to see the problem – not even a vet who diagnoses Trigger’s sudden doubling in size as a late growth spurt!

At wit’s end, Evan and Andy have to resort to pouring the Monster Blood into dustbin but it soon escapes and begins a deadly rampage as the book reaches it’s endgame.

A robin, pulling at a worm in the grass, didn’t look up in time. The trembling green mass rolled over it.

“Oh!” Evan moaned, turning back to see the bird sucked into the green ball. It’s wings flapping frantically, the bird uttered a final cry, then disappeared inside.

Plop. Plop. Plop.

The Monster Blood changed direction, still bouncing and quivering, and leaving white stains on the grass like enormous round footsteps.

“It’s alive!” Andy screamed, her hands pressed against her cheeks. “Oh, my God – it’s ALIVE!”

Reading this book as adult, I can still appreciate the concept of the Monster Blood and the sinister description of the massive green blob as it begins absorbing people, looking to feed on living creatures. It is, of course, a complete rip-off of 1958’s The Blob, a classic horror movie about an ever-growing alien blob that devours the citizens of a town. Unoriginal it may be but I still enjoyed Monster Blood as a ‘lite’ version of The Blob.

Until the conclusion that is. You’d hope for an interesting explanation as to the origins of the Monster Blood substance, especially given how creepy the toy shop and its odd owner were. Unfortunately, everything falls to shit at the end so if you somehow haven’t already read this book, prepare for spoilers and all that.

As it turns out, the Monster Blood itself isn’t evil or a sentient creature. Y’see, Aunt Kathryn really IS a witch and she was forced to place a spell on the otherwise inert Monster Blood by ANOTHER witch that had been disguised as her cat – Sarabeth – all along. Sarabeth is also responsible for Aunt Kathryn’s deafness and had been keeping her captive for the last twenty years. Where had Sarabeth came from and for what reason did she move in with Kathryn and decide to keep her under her control? And why did she decide to kill Evan and Andy in the most obtuse, ridiculous manner possible? It’s a bizarre finale that takes away the mystery of the Monster Blood with a load of partially explained (and that’s being generous) nonsense about witches and black magic.

The ending feels extremely cheap, almost as if somebody else wrote it at the last minute. Naturally, the Monster Blood – now shrunk back to its original volume – disappears while everybody is preoccupied with attempting to wrap their brains around the nutty events that had just transpired. I thought this stuff was only alive thanks to the (now broken) spell? I guess we will have to wait for Monster Blood II

The Cover

On a more positive note, I LOVE the cover for Monster Blood. The tin looks evil as fuck with a jack-o-lantern style face and glowing red eyes peering out from the dark innards of the can. It’s worth remembering that the can isn’t depicted like this in the story but this is the kind of artistic liberty that I can wholeheartedly approve of.

The incredibly dated bit

I wonder if Aunt Kathryn has a video, he thought. He quickly dismissed the idea. No way…

A nice little flashback there to the days of VHS tapes and VCRs. In fact, this book is SO old that it was still feasible to assume that people didn’t even have video players…

The nostalgia rating

Pretty high with this one as Monster Blood is one of the more recognisable books in the series. While I didn’t remember how that terrible ending played out, I did recall most of the other events in the book so it must have stuck in my brain.

Up Next: Let’s Get Invisible!

The Big Goosebumps Re-read #4: The Curse of the Mummy’s Tomb (R.L. Stine, 1993)

curse-1In a previous post entitled “My Reading Journey“, I mentioned my complete set of the original Goosebumps books by R.L. Stine. Well, when taking them all out for a quick photograph for that post, I decided it might be fun to re-visit them all with adult eyes. There’s only 62 to get through…

With The Curse of the Mummy’s Tomb, Goosebumps moved into 1993. It was business as usual though with more false scares, more oblivious adults and more far-fetched plot conclusions. But remember: these are childrens books! For the fourth book in the series, Stine set his sights on a more cliched horror movie theme involving Egyptian tombs and mummies which may or may not be as dormant as they seem.

The Blurb

Gabe and his know-it-all cousin Sari can’t wait to explore the pyramids of Egypt with his favourite uncle – an archaeologist – as their personal guide. It’ll be really cool!

But Gabe never realised how big pyramids are, or how many hundreds of tunnels they have. It’s too easy to get lost, and end up face to face with an ancient mummy!

But Gabe isn’t THAT scared. After all, there isn’t really any such thing as the curse of the mummy’s tomb…is there?

Mummies and ancient Egyptian chambers are right up there with aliens as the things that creep me out on an irrational level and it seems that I can’t be the only one if this book exists to scare younger readers.

There isn’t really much to say about The Curse of the Mummy’s Tomb because it’s a pretty straightforward book that relies on the stupidity of the characters to progress the story. The way that Gabe and Sari ignore Uncle Ben’s advice and wander off alone in an unmapped tomb for example. Or how they ignore him yet again and leave the hotel room…that’s a pair of twelve year-olds wandering around Cairo on their own! Then there’s Gabe’s shoelace always coming untied at the worst moments.

Speaking of Gabe, I found him to be a really irritating ass of a character, especially at the book’s opening where he is whining about needing a drink for at least three pages.

Not now?

What does “not now” mean? I was thirsty. NOW!

Jeez, give it a rest!

And I can’t ignore the section where they are inside the pyramid and Gabe’s shoelace comes undone for the gajillionth time, leaving him separated from Uncle Ben and Sari. He ends up wandering around alone when the floor breaks apart under his feet and he plunges into a chamber full of mummies and ancient embalming equipment. After several pages of panic, his cousin, Sari, finally finds him. Except Gabe is now more interested in showing Uncle Ben what he “discovered”.

“Yeah. Wow,” I said, starting to feel a bit more like normal. “The chamber is filled with mummies. And there are all kinds of tools and cloth and everything you need to make a mummy. It’s all in perfect shape, as if it hasn’t been touched for thousands of years.” I couldn’t hide my excitement. “And I discovered it all,” I added.

The end is pretty ridiculous too but this IS a Goosebumps book so I have to let it off…a little bit. Long story short, Gabe carries a creepy mummified hand around in his pocket as a good luck charm (as all kids do – obviously!). He acquired this hand from a random garage sale back in America but it conveniently turns out to be the hand of the ancient Egyptian priestess, Khala. Trapped at the edge of a bubbling tar pit by the evil Ahmed, Gabe pulls the hand from his pocket and instinctively raises it up. The mummies in the chamber come to life and attack Ahmed and even though one of them grabs the villain by the throat and raises him off the ground, the mummy simply lets him go and Ahmed gets to run away screaming. It’s almost as if Stine started to write Ahmed’s grisly comeuppance then remembered the age of his target audience and chickened out.

Overall, The Curse of the Mummy’s Tomb isn’t one of my favourite Goosebumps books and it never was, even when I was a child. I think it’s more down to the fact that the plot isn’t as creative or original as many of the other entries in this series.

The Cover

Well, there’s a mummy. It doesn’t look very scary either, truth be told. It looks comical and a bit campy. It also looks like it’s doing the jazz hands.

The incredibly dated bit

She thought she was really hot stuff because she could get to the last level of Super Mario Land. But it wasn’t fair because I don’t have Super Nintendo, only standard Nintendo. So I never get to practice.

Need I say much more? Also, I have to pause for a moment and be a big nerd here, pointing out that Stine didn’t do his his research very well. Super Mario Land is a Gameboy game – not a Super Nintendo game!

The nostalgia rating

Honestly, not very high with The Curse of the Mummy’s Tomb. I have more nostalgia for its sequel (which we will get to eventually) since it was one of the first Goosebumps books I was given for a birthday, kick-starting my collection.

Up Next: Monster Blood

The Big Goosebumps Re-read #3: Stay Out of the Basement (R.L.Stine, 1992)

basement-1In a previous post entitled “My Reading Journey“, I mentioned my complete set of the original Goosebumps books by R.L. Stine. Well, when taking them all out for a quick photograph for that post, I decided it might be fun to re-visit them all with adult eyes. There’s only 62 to get through…

Stay out of the Basement was a very interesting re-read. My younger self never considered it to be one of his favourites in the Goosebumps series and so the 2019 edition of Me had little enthusiasm for reading it again as part of this epic revisit. However, I really enjoyed it this time around and found new appreciation for the general premise. That’s what this series is all about really: looking at these books through adult eyes and seeing if I have a different response to what I’m reading. Onto the blurb:

The Blurb

Dr Brewer is spending a LOT of time down in the basement, and Margaret and Casey Brewer think their dad has been acting pretty strangely lately.

Maybe it’s just  a little harmless plant-testing. After all, he IS a botanist, and he needs something to do now that he’s lost his job.

But now he’s developing distinctly plant-like tendencies and Margaret and Casey are worried. What’s going on down there? It’s getting harder and harder to stay out of the basement!

The main reason I enjoyed Stay out of the Basement so much more this time around was because I appreciated the creepy, sinister sci-fi horror vibe of the plot. Nothing in the Goosebumps universe is what we’d call “realistic” but this is one of the more believable horror tales from the series. There is no supernatural monster or aliens involved. This is science run amok. The majority of the book is about the mystery of Margaret and Casey’s botanist father and his suspicious activity in the basement. Being twelve and eleven year-olds respectively, the temptation to disobey their father’s strict instructions to not enter the basement proves to be overwhelming. Their dad hasn’t been speaking to them too much of late and he spends most of his time down in the basement with his plant experiments, rarely coming up for air.

His fury at their intrusion scares the living bejeezus out of the Margaret and Casey but only fuels their curiosity. Why is he so secretive about the basement and so vague about what he is up to? Thus begins the mystery. Margaret and Casey find some strange plants in the basement that sound alive, as if they are breathing but that is far from the worst of it. Their dad is changing, becoming almost plant-like. It’s this creepy transformation and the tension within the house that I really enjoyed.

When she was sure that he had gone downstairs, Margaret walked eagerly into the kitchen. She had to know what her father had been eating so greedily, so hungrily.

She pulled open the door under the sink, reached into the rubbish bin, and pulled out the crinkled-up bag.

Then she gasped aloud as her eyes ran over the label.

Her father, she saw, had been devouring plant food.

There is also a really sinister scene that takes place at night. Margaret decides that she is going to confront her shifty father over the freaky anomalies that she and her brother have noticed and straight-up ask him what is going on. However, she witnesses him bleeding bright green fluid into the bathroom sink (as opposed to human blood) and sneaks away before he notices her behind him.

Margaret pulled the covers up to her chin. She realised she was trembling, her whole body shaking and chilled.

She held her breath and listened.

She could still hear water splashing into the bathroom sink..

But no footsteps.

He isn’t coming after me, she told herself, letting out a long, silent sigh.

How could I have thought that? How could I have been so terrified – of my own father?

Terrified.

It was the first time the word had crossed her mind.

But sitting there in bed, trembling so violently, holding onto the covers so hard, listening for his approaching footsteps, Margaret realised that she WAS terrified.

Of her own father.

And yes, I am very aware that the above quote could be taken way out of context and linked to much darker, horrible scenarios. The thought crossed my mind when I was reading the above passage so I guess that’s one downside to trying to read a children’s book with an adult mindset.

The endgame of the book and the explanations for everything were also pretty creepy and though the execution is typically rushed and a little ridiculous, it doesn’t spoil the tone that the preceeding three-quarters of Stay out of the Basement establishes. Dr Brewer had accidentally discovered the ability to fuse plant DNA with human DNA hence the bizarre vegetation that seemed a little TOO lifelike. In a twist of events, the kids’ father also accidentally created a plant-based clone of himself that was so life-like, it was able to take his place while the real Dr Brewer was kept captive. The kids come face-to-face with both versions of their father and have to choose which one to believe and which one to kill with an axe.

As with Say Cheese and Die!, I finished Stay out of the Basement and thought that it would be another perfect candidate for a more grown-up, eery suspense-filled horror movie. More importantly, I was pleasantly surprised that I enjoyed the book as much as I did considering my preconception of it being one of the weaker Goosebumps releases.

The Cover

It’s a face surrounded by leaves and the bubbling slime is an appropriate green colour this time. Not one of my favourite Goosebumps covers but it does at least accurately represent the plot.

The incredibly dated bit

There were actually two amusingly dated bits that leapt out at me so I’m not going to choose between them.

Margaret moved closer. She felt sorry for Casey. He and their dad were really close, always ball or frisbee or Nintendo together.

This is SO 1980’s/early 90’s. It harks back to a more primitive time in the world of videogames when Nintendo’s NES and SNES systems were so popular and all-conquering in the US that you weren’t just playing computer games; you were playing Nintendo. The power of the household name that Nintendo had acquired would soon be dramatically eroded when Sony’s Playstation hit the scene in 1994/95.

They looked through some old magazines in Margaret’s room, listening to some tapes that Margaret had recently bought.

“Tapes” and “recently bought”…need I say any more?

The nostalgia rating

Reasonably high. The book – largely helped by the outdated aspects quoted above – feels totally early-nineties. Obviously, I don’t have massive nostalgia for Stay out of the Basement as a Goosebumps book though because, as already stated, I kind of didn’t really like it as a kid.

Up Next: The Curse of the Mummy’s Tomb

Movie Talk: Heat (1995)

Heat-Poster-1Release Year: 1995     Directed By: Michael Mann   |   Starring: Robert De Niro, Al Pacino, Val Kilmer, Tom Sizemore, Diane Venora, Ashley Judd, Amy Brenneman, Kevin Gage, Natalie Portman, Dennis Haysbert, Danny Trejo, Jon Voight

[Not to be confused with “The Heat” (2013) or Heat (1986), Heat (1972), Heat (1996 Australian TV film)…how many times has this name been used? Jeez…]

I’ll go ahead and begin by stating that Heat is my favourite movie of all-time. It hadn’t used to be; that honour tended to switch between Terminator 2 and the first Kill Bill. Each time I re-watched Michael Mann’s crime masterpiece however, it crept up the order until I decided that, fuck it, Heat may as well be my favourite movie. I can’t say enough good things about it.

The film centres on professional thief, Neil McCauley (De Niro) and determined LAPD homicide detective, Lt. Vincent Hanna (Pacino). Both are dysfunctional individuals with their own code and the cat-and-mouse game between these two main players of the movie is one of its main draws. McCauley heads up a proven crew of organised thieves and is a loner by nature, living with the philosophy of not having anything in your life “that you cannot walk out on in thirty seconds flat if you spot the heat around the corner”. For McCauley, making the big scores is his life and all he wants to do. Hanna on the other hand is a workaholic cop that puts his job first at all times, even at the expense of his increasingly frustrated wife (Diane Venora) and step-daughter (Natalie Portman). Hanna is determined to take McCauley and his crew down and is unable to avoid putting the hunt aside to rescue his marriage.

The thing I absolutely love about Heat is that there are no irrelevant, filler scenes or dull moments – quite an achievement for a film that goes beyond the two-hour mark. Even the scenes that involve characters simply talking are enthralling because the writing and characterisation is brilliant. Obviously, the stars are De Niro and Pacino but the supporting cast are just an important. From the crazy Waingro (Kevin Gage) to the disillusioned Donald (Dennis Haysbert), there are so many memorable performances. Then there are the women who have to suffer for the actions and decisions of their other halves – just one of many subtle plot threads woven together to produce the epic tapestry that is Heat.

Another notable bit of genius is that it’s impossible not to like the characters no matter if they are good-hearted and innocent like Eady (Amy Brenneman), psychotic and violent like Waingro or greedy and unsavoury (most of the criminals). Heat is a character piece as much as it is a crime thriller or action movie and it feels natural to understand where everybody – good or bad – is coming from. Many of the characters blur the line between being wholly good or bad and this is probably what makes them so endearing as this is what it means to truly be human. We viewers may not partake in anything as dramatic as holding up armoured cars or putting big-time crooks behind bars but we can still relate to the characters and their motivations.

Heat-1
[Source]
The action scenes are another highlight of Heat, particularly the gun battle in downtown LA as McCauley’s crew attempt to escape following their carefully-planned bank heist gone wrong. This kind of scene just wouldn’t exist today for many reasons. First up, there are no unrealistic and unnecessary explosions or dynamic action shots. There’s no music either. What you get is a group of guys simply trying to get away, using cars as cover while shooting at the LAPD, deafening bursts of assault rifle fire echoing off the buildings. It’s exactly what a real-life version of this scene would sound like and I’ve even read that their tactical retreat was used as a reference for police or military training (though how true this is, I can’t say). The whole thing feels raw and natural and is totally immersive.

The final showdown between McCauley and Hanna is another scene that would never be permitted today. Hanna gives chase to a desperate McCauley across the runways of LAX, even running across the path of a taxiing passenger plane at one point. As I understand, this kind of filming is now strictly prohibited in a post-9/11 world which is a shame but completely understandable.

Heat is a masterpiece of scripting backed up by superb performances from all actors involved. Every set-piece, every action scene and every conversation is special. I know I’m probably gushing over this fim and I haven’t said anything bad about it but really, I can’t think of anything. If you’ve somehow missed it then you should really rectify that mistake because – as cliched as it sounds – they really don’t make ’em like this anymore.